OK, so you love to read. You’ve got a sneaking suspicion that you might have a novel inside, and you want to find the best keys to unlock that work. You don’t want to reinvent the wheel, however. You’re smart, and you want to hear what the best writers in the world have to say about writing before you dip your toe in the water. So where do you begin?

Below are the leading books on how to write prose including works from Hemingway, Strunk, Dillard and Wood. It’s best to read widely to get tips from a variety of sources: we’ve included books from stylists, fiction writers, editors, and even books for dummies. 

Do I Need to Read to be a Good Writer? 

While not every writer needs to read a mountain of text to become the best writer they can be, in most cases it doesn’t hurt to read as much as possible. That way you don’t have to re-invent the wheel each time you touch pen to paper, and you can get better as fast as possible. 

How Many Books Should I read to Become a Writer?

To become a writer you should read as many books as it takes for you to feel that you are writing your best prose. Some writers won’t read many at all, and prefer to make it all up for themselves. Most writers will read hundreds if not thousands of books to get all the tips they can!

Will Reading Improve my Essay Writing Skills?

Reading will certainly improve your essay writing skills. Below you should check out The Elements of Style which has tips on how to write prose which will be highly useful to writing the best possible essays. Clarity of expression is the cornerstone of good essay writing.

Should I Read The Elements of Style?

One perennial classic that never fades with age (and has grown in mystical power due to that age) is The Elements of Style by Strunk and White. This 80 page mini wonder was first published in 1920, and has been selling real strong since then.

Time named it in 2011 as one of the 100 best and most influential books in English. It’s chapters include ‘Elementary rules of Usage’, ‘Elementary Principles of Composition’, ‘A Few Matters of Form’, ‘Words and Expression Commonly Misused’, and ‘An Approach to Style’.

Have you ever got that creeping feeling that you’re a little out of your depth when it comes to things like syntax, and grammar. Jump into this short guide and you will emerge with a sense of confidence and style. 

How Fiction Works

Continuing in a somewhat academic vein, How Fiction Works is a much lauded fiction manual by the noted literary critic James Wood. Let Wood explain to you concepts such as ‘Free Indirect Discourse’. This is where, in third person, the narrator’s voice / perspective blends with the protagonist’s.

It’s a bedrock technique that is perhaps not intuitive to the fledgling fiction writer and one you want to master right out of the gate. If you’re trying to decide if this one’s for you, it’s full of sentences like this: “In Contre Sainte-beuve, Proust rightly saw that this use of the imperfect tense was Flaubert’s greatest invention.” Enjoy!

Which For Dummies Book is Best for Advice on Writing Fiction?

Now hold on. I know you’re not a dummy. Dummies don’t write fiction, right? But sometimes having someone who knows what they’re talking about (or thinks they do) trying to explain to you what they believe is going on in the simplest terms possible can be very amusing.

There are loads of titles in this series, which are authored by many different people. One reason not to pass over titles like is that they often cover a wide variety of topics, trying to make things like ‘getting published’, and ‘creating compelling characters’ easy and accessible.

Even though they position themselves as entry level texts for dummies, they will often dive quite deep into literary theory, from Aristotle to Joseph Campbell. At the very least they are usually fun and easy to navigate.

Where to Start with Hemingway?

The final two entries have to go to authors of fiction themselves. The jackpot is when you discover that your favourite author has written a ‘how to’ guide. See ‘On Fiction’ if you are starting out with Hemingway, to gain an insight into the mind of the great writer.

Hemingway is a hero for so many writers, from his seemingly simple and declarative prose, to his love of freedom and human dignity, his tough-yet-sensitive baffled-but-well-meaning protagonists go toe to toe with fascists and big fish alike.

Hemingway never sat down to write a book on writing, but he was a man of letters (you can find his complete letters here) and this book is full of handy aphoristic writing tips that have been lifted from his vast body of writing.

Fun fact: when Obama went up against McCain for the US presidency they were asked what their favourite novel was, and both responded For Whom the Bell Tolls!

Check out Hemingway’s collected short stories here.

Which Annie Dillard Book Should I Read?

Try starting with The Writing Life by Annie Dillard which is a short and sweet guide that generously provides a candid peek into a writer’s life. It’s hard to know how to summarize this collection of essays: it’s intimate and somehow softly spoken.

Yet sentence by sentence throws up explosive titbits that require a few moments’ digestion.

Example: “The reason not to perfect a work as it progresses is that, concomitantly, original work fashions a form the true shape of which it discovers only as it proceeds, so the early strokes are useless, however fine their sheen.” That was just one sentence … wow.

Which author you turn to from here is a matter of preference. Check out Kate Grenville’s The Writing Book here. Steven King’s On Writing here. And Henry Miller’s On Writing. E.M. Forster’s Aspects of the Novel is well regarded.


Oliver Adams

Letter Review was founded by Oliver Adams, who is a PhD candidate in Creative Writing, casual academic, and guest lecturer at the University of New South Wales. Oliver Adams has had short stories published in leading literary journals such as Overland, Southerly, Seizure, and TEXT. He has had novels long listed for major awards such as the KYDUMA, has received government funding to produce plays from Create NSW and screenplays from Screen NSW, and has performed / produced professional work at major theatrical venues such as the Sydney Opera House.

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