Reading memoirs can be a lot of fun, and it can also help you to understand your favourite writers, improve your craft, and gain a better understanding of the industry you are working in. But which are the best ones?
The best memoirists are William Goldman, Joan Didion, Frank McCourt, Simone de Beauvoir, and Earnest Hemingway. You might have noticed these memoirists are also famous for other written works too. Many of the greatest autobiographies are written, not surprisingly, by celebrated writers in other genres.
It’s probably a great idea to do a search for memoirs of your favourite creative writers. The best teachers of all are the ones who have written creative writing that you like and admire. You likely won’t value very highly advice from even a Nobel Prize winner if you don’t like their work. And you shouldn’t either.
1. William Goldman: Adventures in the Screen Trade
This memoir is a classic example of a book that will help you understand the industry better, and provide plenty of insight into the writing process of a legendary author.
Written in 1983, it’s all about Goldman’s experiences in Hollywood, and its hilarious and informative, and was very popular! Goldman won Oscars for best screenplay for Butch Cassidy and the Sundance Kid and also All the President’s Men. He also wrote the novel Princess Bride. You’ve probably heard of him.
The book is divided into three parts. In ‘Hollywood Realities’ he delivers lots of thoughts on how to write, and the practicalities of working in Hollywood. In part two he illustrates his lessons with stories from the productions he worked on. And in part three he provides interviews with successful people, and advises on how to adapt stories into films. A great read.
2. Joan Didion: The Year of Magical Thinking
This title is almost chosen at random from Didion’s body of work because its all so good. Her work is often autobiographical, and she is incredibly generous and candid with insights gleaned from her personal experiences.
She’ll tell you all about writing, and the experience of being a writer. Somehow, I don’t think you’re ever quite the same after reading Didion. She cuts right to the core of things, and shows you what’s really going on underneath all the bells and whistles, and summons a sense of atmosphere and place with incredible vividness and verisimilitude.
This work discusses mourning, and particularly focuses on the year of Didion’s life after her husband passed away. A classic.
3. Frank McCourt: Angela’s Ashes
This is the absolute show stopping and heart wrenching story of growing up penniless in Ireland with an alcoholic father. That doesn’t sound like much fun does it? But it is a very entertaining and rewarding memoir due to McCourts astonishing mastery of the form.
It won the Pulitzer Prize, and became world famous. From memory, this text doesn’t deal explicitly with the business of writing, but it will show you how to craft stories from real life experiences. It’s the ultimate auto-fiction example, or ‘slice of life’ exemplar.
4. Simone de Beauvoir: The Mandarins
Simone was in a tight circle of literary friends that included Sartre and Camus, and the work follows a group of French intellectuals from the end of World War 2 until the middle 1950s. It’s an absolutely cracking read and dripping with insight and important political commentary including foundational feminist intellectual work.
5. Earnest Hemingway: A Moveable Feast
Hemingway spent some time in France during his early years as a writer, in the company of many others astonishing writers. This memoir is the story of those formative years.
Here is the quote the title comes from “If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a movable feast.”
Pretty nice, huh? You’ll always have Paris.
The story of how the work came into existence is miraculous (can it really be true?) :
In 1956, Ernest and I were having lunch at the Ritz in Paris with Charles Ritz, the hotel’s chairman, when Charley asked if Ernest was aware that a trunk of his was in the basement storage room, left there in 1930. Ernest did not remember storing the trunk but he did recall that in the 1920s Louis Vuitton had made a special trunk for him. Ernest had wondered what had become of it. Charley had the trunk brought up to his office, and after lunch Ernest opened it. It was filled with a ragtag collection of clothes, menus, receipts, memos, hunting and fishing paraphernalia, skiing equipment, racing forms, correspondence and, on the bottom, something that elicited a joyful reaction from Ernest: ‘The notebooks! So that’s where they were! Enfin!’ There were two stacks of lined notebooks like the ones used by schoolchildren in Paris when he lived there in the ’20s. Ernest had filled them with his careful handwriting while sitting in his favorite café, nursing a café crème. The notebooks described the places, the people, the events of his penurious life.
Hotchner, A. E. (2009-07-19). “Don’t Touch ‘A Moveable Feast'”. The New York Times.
If you are feeling a little stalled with your writing, or a little isolated, or puzzled by the writer’s life or the industry itself, then dipping into the best memoirs by the leading memoirists can help contextualise your own writing journey, and these works often provide plenty of writing tips along the way. Enjoy!